Babs gonzales wikipedia

  • List of nicknames of jazz musicians - Wikipedia Babs Gonzales (October 27, 1919 – January 23, 1980), [1] born Lee Brown, was an American bebop vocalist, poet, and self-published author. [ 2 ] [ 3 ] [ 4 ] His books portrayed the jazz world that many black musicians struggled in, portraying disk jockeys, club owners, liquor, drugs, and racism. [ 3 ] ".
  • Oop-Pop-A-Da - Wikipedia Babs Gonzales (* 27. Oktober 1919 in Newark, New Jersey als Lee Brown; † 23. Januar 1980 ebenda) war ein US-amerikanischer Sänger des Bebop. Leben und Wirken.
  • Babs Brown - Discography of American Historical Recordings Babs is featured on eight numbers with his Three Bips and a Bop, including the original version of Gonzales' greatest hit, "Oop- Pop-A-Da." The other sessions from 19find Gonzales backed on two songs apiece by the Jimmy Smith Trio and the Bennie Green Quintet.
    1. Cool Whalin' - Babs Gonzales - YouTube

    Babs Gonzales (Octo – Janu), [1] born Lee Brown, was an American bebop vocalist, poet, and self-published author. [2][3][4] His books portrayed the jazz world that many black musicians struggled in, portraying disk jockeys, club owners, liquor, drugs, and racism. [3] ".

    Babs Gonzales – Wikipedia

    Babs Gonzales und Salome Bey. Babs Gonzales (* Oktober in Newark, New Jersey als Lee Brown; † Januar ebenda) war ein US-amerikanischer Sänger des Bebop.

    Babs Gonzales Musician - All About Jazz

    Nicknames are common among jazz musicians. Nicknames and sobriquets can also sometimes become stage names, and there are several cases of performers being known almost exclusively by their nicknames as opposed to their given names. Some of the most notable nicknames and stage names are listed here.

  • babs gonzales wikipedia

  • The Preacher (Horace Silver song) - Wikipedia

    Babs Gonzales was a singer who did what he could to popularize bop, and was a pioneer in the scat vocalese style. He had stints with Charlie Barnet and Lionel Hampton's big bands, and then led his own group Three Bips & a Bop during

    Babs Gonzales - Blue Note Records

      Babs Gonzales (Octo – Janu), born Lee Brown, was an American bebop vocalist, poet, and self-published author. His books portrayed the jazz world that many black musicians struggled in, portraying disk jockeys, club owners, liquor, drugs, and racism.

    Babs Gonzales - Discogs

    Babs Gonzales född Lee Brown 27 oktober i Newark, New Jersey USA död 23 januari i Newark, New Jersey, var en amerikansk manlig sångtextförfattare och sångare. Babs Gonzales skrev låten "Oop-Pop-A-Da" och spelade den in tillsammans med sit band Three Bips and a Bop. [1]. Låten blev senare känd via Dizzy Gillespie.


  • How Professor Bop Paid His Dues: Babs Gonzales


  • How Professor Bop Paid His Dues: Babs Gonzales

  • A limited but enthusiastic singer, Babs Gonzales did what he could to popularize bop. He had brief stints with Charlie Barnet and Lionel Hampton, and then led his own group (Three Bips & a Bop) during

  • Babs Gonzales (October 27, 1919 – January 23, 1980), born Lee Brown, was an American bebop vocalist, poet, and self-published author.
  • Babs Gonzales performing his song “We Ain’t Got Integration” at Small’s Paradise in Harlem in 1962, with Johnny Griffin on tenor sax, Clark Terry on trumpet, Horace Parlan on piano, Buddy.
  • American singer.
  • Babs Gonzales född Lee Brown 27 oktober 1919 i Newark, New Jersey USA död 23 januari 1980 i Newark, New Jersey, var en amerikansk manlig sångtextförfattare och sångare. Babs Gonzales skrev låten "Oop-Pop-A-Da" och spelade den in tillsammans med sit band Three Bips and a Bop. [ 1 ].
  • Wikipedia.
  • A limited but enthusiastic singer, Babs Gonzales did what he could to popularize bop. He had brief stints with Charlie Barnet and Lionel Hampton, and then led his own group (Three Bips & a Bop) during 1946-1949.

    WBSS Media-Babs Gonzales

    Babs Gonzales (October 27, – January 23, ), [1] born Lee Brown, was an American bebop vocalist, poet, and self-published author. [2][3][4] His books portrayed the jazz world that many black musicians struggled in, portraying disk jockeys, club owners, liquor, drugs, and racism. [3] ".